Harriet Meserole
Vogue Cover Design (French Edition)
circa 1921
This is a lovely scene. Though its illustrative style may not be to everyone’s tastes, it nonetheless expresses to its viewers an open invitation made on behalf of the two ladies (and their dawdling dog) - it is one that implies, Why not stroll along with us? Rather than emphasising a cold shoulder, the figures’ turned backs actually place the viewer in the wake of warmth and liveliness. The women’s postures as well as their clothing give them a note of animation that visually contrasts with the barren, almost lifeless forest of pines surrounding them. The ornate red-and-gold ensemble of the lady on the right behaves like a firework releasing its vibrant energy against the expanse of whiteness which frames it. The second lady’s clothing, a rich billowing cape of (presumably) fur (topped with a sharp pop of geometric flowers), is different to, but just as stylish as, that of her companion. It, too, contrasts with its surroundings, but it does so in a subtler way. As this is a drawing meant to emulate the glory of fashion and its many nuances which are undoubtedly related to and drawn from nature itself, the white cape plays the role of ‘showing off’ what the human hand can create. Its whiteness and irregular shape almost brag to the whiteness against which it is set, putting into question, Which is more beautiful and real - you or I? It might be this that the ladies are so intent on discussing. Or, quite understandably, it could be that they have become too numb to talk, and now they are only focused on the important prospect of returning as quickly as possible to the warmth of the house just ahead.
