26 May 2013

Boucheron: the Accessory


Boucheron (Paris)
Zigarettendose (cigarette case)
circa 1924

     It is Beauty's briar rose rendered in enamel and gold, making it all the more delicate to handle. The design is complicated, but also simple: its visual success - or in other words, what makes it so eye-catching - relies on the crisp quality of its central register which is set over a discreet gilt roundel, but which uses only a few colours. With slabs of crescent-shaped red enamel, the rose petals form six puddles against the dark green blanket of leaves, each of whose buds seem to ripple outwards in slow motion. The gold specks which blot the roundel's inside give the design a subtle asymmetry, reflecting its Asiatic inspirations such as Japonisme and Chinese woodcuts. And while the foliage appears to be a miniature panel of stencilled glass, the two diamond-set wings appear to be natural sources of light, each illuminating and flanking the rose bed with geometric precision.
     Among these details, however, it is the coral clasp that plays the most important role. Not only does it hold the piece together as well as indicate the top from bottom, but it functions as a kind of bow - one that gives the case its final dab of colour, like the finishing touch of paint on a picture. Clicking the clasp open, is it possible to imagine the interior? Is it plain or elaborate, or does it reflect the cool elegance of its exterior? Either way, the language of smoking is an act of subversive communication, and with a tool such as this surely cigarettes are not the only things meant to be lit with desire.