18 August 2013

the Wiener Werkstätte: Wenzel Oswald


Wenzel Oswald
Poster Illustration for Märchenbücher Scholz, Mainz (publisher)
circa 1908

     A brilliant tangle of swirling tendrils, red-dotted grass and a twinkling, star-specked costume outlining the squatting figure of a flame-bearded man. In sharp profile, he stares happily and intently into the eyes of a little owl sitting between his brittle fingers. They are a pair; one could not survive without the other. With no owl the clownish man would appear cumbersome and clumsy in his world, too large to fit in his own frame without a small, soft friend to keep his perspective in check. With no kind giant the owl, too, would seem lost, dwarfed in a jungle of such over-bearing plants without its great protector.  
     This illustration is consoling. It represents two souls, maybe outlaws of some sort, who have found comfort in each other's company - something we can all possibly relate to. Each compliments the other's oddities. With the same sense of desperation the owl and the man readily accepted each other without judgement or question, recognising the familiar sense loneliness in the other, and because of this a mutual ground of reliance was created, a ground from which their camaraderie has stemmed and strengthened ever since. Without question, they are friends. A true union as this is a rare thing to come by and soon, with the development of this technology-based contemporary world in which we live, it will become even rarer.

4 August 2013

Demel (Wien): Friedrich L. Berzeviczy-Pallavicini


Designed by Friedrich L. Berzeviczy-Pallavicini for Demel, K.u.K. Hofzuckerbäcker (Wien)
Paper Box
circa 1930s (?)

     What a joy - with only yellow, red, blue and black the Lausanne-born Berzeviczy-Pallavicini created this clever masterpiece. Meant to hold a trove of whatever un-earthly delight(s) crafted by the renown Viennese confectionery, Demel (founded in 1786), this box acted as the opening scene to a treat determined to be as delicious visually as it was literally.
    The illustrations wiggle playfully across the planes of paper. Sometimes they merge into confusing puddles of lines and shapes, but this only adds to the box's intrigue. On one side we see a blue arcade stretched to such heights that its arches reach the stars, while a butterfly is about to flutter upwards into a circus of oddly-dressed performers, from floating potted plants to disembodied gloved hands and caterpillar-like sirens. The inset even shows a woman so consumed by her love of perfect posture that she risks being ambushed by her devilish admirer. A clash between many strange worlds! It is lucky for us that unlike the long-gone treat that once took centre stage as part of this dramatic performance, its decorative shell still remains - which serves as a tribute to the degree of care its past owners felt and, now, still feel for it.

28 July 2013

Koloman Moser


Koloman Moser
Pilze (Still-life with Chanterelles and Bottle)
circa 1909

     Freshly-picked and plump - their umbrella heads still shine with the water they were washed in. Specks of dirt litter the grey ground; the conical glass piece stands like a lone spire, towering over the nearby canopy of dense, autumn-sticken 'trees'. The surrounding grounds, already frost-bitten with the season's dropping temperatures, form a slick, icey rink on which one small chanterelle has already ventured out - its not-so-daring siblings (with their heads resembling little brown grapes) still hugging the skirts of their parents. In the near distance the cloudy skies are soaked in sunrise, their bright complexion casting strong shadows throughout the huddling mushrooms.
     Indifferent to the youngsters, the adults cluster together as if to discuss something private, away from our prying ears. Their heads seem to bob into one another, each occasionally turning around to see whether anything is creeping by too closely. Are they planning to escape the imminent saucepan, already heated and gurgling with a splash of olive oil? Or are they deciding how to best woo some stubborn oregano leaves into a savoury harmony? Whatever it is, they are undoubtedly mishchievous. Unlike any pile of mushrooms we have seen, this one is soft and velvety on the outside - but also deliciously devilish on the inside.